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<blockquote data-quote="Schwarzwald" data-source="post: 68617" data-attributes="member: 544">If you look at the shift in the music industry from the late 80s to the early 90s, it looks less like a natural evolution and more like a hostile takeover. Whitney Webb and other investigators have pointed out that the industry was consolidated by the same financial &quot;silos&quot; that fund the intelligence state.Here is why it’s essentially a &quot;MindWar&quot; psychic weapon:The &quot;Trap&quot; Loop, by glorifying a lifestyle that leads directly to the prison industrial complex or early death, it is basically a self fulfilling prophesy. It’s a de patterning tool it replaces traditional community values with a hyper individualistic, trauma based identity centered on material consumption and violence. (Pure MKultra but you pay for it and do it to yourself.)[ATTACH=full]13112[/ATTACH]Vibrational Warfare, Aquino’s MindWar paper explicitly mentions using &quot;subliminal&quot; and &quot;electronic&quot; environments to influence behavior. If you flood a demographic with music that stays at a specific &quot;frequency&quot; of aggression and nihilism, you are essentially &quot;tuning&quot; their brains to be in a constant state of fight-or-flight.The Blackmail Funnel, the &quot;hip-hop ties&quot; Webb talks about (like the Diddy/Epstein parallels) show that the music industry is the &quot;grooming&quot; arm of the cabal. It brings in young, talented people, compromises them through &quot;Freak Offs&quot; or &quot;parties,&quot; and then uses them as influencers to sell that same destructive lifestyle back to the public.It’s the ultimate &quot;lulz/kek/haha&quot; for the Fourth Reich: they get the population to volunteer for their own mental enslavement, pay for the music that programs them, and then cheer for the &quot;artists&quot; who are actually just high-level intelligence assets or blackmail victims themselves.[ATTACH=full]13113[/ATTACH]</blockquote>

[QUOTE="Schwarzwald, post: 68617, member: 544"] If you look at the shift in the music industry from the late 80s to the early 90s, it looks less like a natural evolution and more like a hostile takeover. Whitney Webb and other investigators have pointed out that the industry was consolidated by the same financial "silos" that fund the intelligence state. Here is why it’s essentially a "MindWar" psychic weapon: The "Trap" Loop, by glorifying a lifestyle that leads directly to the prison industrial complex or early death, it is basically a self fulfilling prophesy. It’s a de patterning tool it replaces traditional community values with a hyper individualistic, trauma based identity centered on material consumption and violence. (Pure MKultra but you pay for it and do it to yourself.) [ATTACH type="full"]13112[/ATTACH] Vibrational Warfare, Aquino’s [I]MindWar[/I] paper explicitly mentions using "subliminal" and "electronic" environments to influence behavior. If you flood a demographic with music that stays at a specific "frequency" of aggression and nihilism, you are essentially "tuning" their brains to be in a constant state of fight-or-flight. The Blackmail Funnel, the "hip-hop ties" Webb talks about (like the Diddy/Epstein parallels) show that the music industry is the "grooming" arm of the cabal. It brings in young, talented people, compromises them through "Freak Offs" or "parties," and then uses them as influencers to sell that same destructive lifestyle back to the public. It’s the ultimate "lulz/kek/haha" for the Fourth Reich: they get the population to volunteer for their own mental enslavement, pay for the music that programs them, and then cheer for the "artists" who are actually just high-level intelligence assets or blackmail victims themselves. [ATTACH type="full"]13113[/ATTACH] [/QUOTE]

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