Reply to thread

Message

<blockquote data-quote="Suigin Trismegistus" data-source="post: 63206" data-attributes="member: 487">There&#039;s something extremely profound about Lucas&#039;s first film. He definitely knows. On the surface level, it&#039;s a portrayal of Plato&#039;s Allegory of the Cave, but going deeper it actually draws upon the Mithraic and Eleusinian Mysteries, which are initiation rites into enduring the geophysical catastrophe.[MEDIA=youtube]D7qr1QVdPN8[/MEDIA]The choice in music is also prodigious. Bach&#039;s St. Matthew Passion prelude (Kommt, ihr Tochter) as the ending theme is intense. Bach named his four passions after the Four Evangelists/Four Living Creatures of the Christian Tetramorph, the Christian astrological mandala which derives itself as Piscean revision of the older Mithraic Tauroctony.[URL unfurl=&quot;true&quot;]https://en.wikipedia.org/wiki/Tetramorph[/URL][MEDIA=youtube]ezr71f2z7po[/MEDIA]</blockquote>

[QUOTE="Suigin Trismegistus, post: 63206, member: 487"] There's something extremely profound about Lucas's first film. He definitely [I]knows[/I]. On the surface level, it's a portrayal of Plato's Allegory of the Cave, but going deeper it actually draws upon the Mithraic and Eleusinian Mysteries, which are initiation rites into enduring the geophysical catastrophe. [MEDIA=youtube]D7qr1QVdPN8[/MEDIA] The choice in music is also prodigious. Bach's St. Matthew Passion prelude (Kommt, ihr Tochter) as the ending theme is intense. Bach named his four passions after the Four Evangelists/Four Living Creatures of the Christian Tetramorph, the Christian astrological mandala which derives itself as Piscean revision of the older Mithraic Tauroctony. [URL unfurl="true"]https://en.wikipedia.org/wiki/Tetramorph[/URL] [MEDIA=youtube]ezr71f2z7po[/MEDIA] [/QUOTE]

Name

Verification

Layout Options

Color Schemes

Reply to thread