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The last of the witnesses
Joined
Jan 30, 2026
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1,952
Three sharp knocks at the door. Kendra rises, her movements automatic, prepared. We listen to her footsteps recede down the hall.

Councilman Vashian Hearthmount enters like a man who has practiced economy in all things. His thinness speaks of choice, not hunger. Not a wrinkle mars his clothing; his boots gleam despite the evening's damp. The leather satchel tucked under one arm, hat in hand, he moves with rehearsed precision.

His condolences to Kendra come first—appropriate—and she accepts them with the same quiet composure she's shown all day. His face performs the required softening, a mechanical sympathy. Then his eyes find us, and something tightens across his features: a cold current disturbing still water. Outsiders. In Lorrimor's house. In Lorrimor's affairs.

He says nothing of this. He is too professional. But I read the text his body cannot hide.

We move into the study, the house’s innermost chamber lined with dense bookshelves and centered on a desk like an altar. A cleared long table against one wall awaits us. We arrange ourselves hesitantly—Kendra at the far end, Hearthmount at the near with his satchel. Between us sits his lacquered wooden scroll case, wax-sealed with Professor Lorrimor’s quill-and-compasses sigil.

Hearthmount lifts it like a relic. “The seal is intact,” he announces, then uses a letter opener to break the brittle green wax, pries off the cap, and tilts the tube for the parchment to slide free. Instead, an iron key drops onto the table, its small clatter startling in the sudden silence. Hearthmount pauses, eyes the key, then completes the scroll’s retrieval, sets aside the case, and straightens.

"Evidently," he says, with the measured tone of a man deciding not to be unsettled, "the professor included an addendum to the physical document."

He does not touch the key. None of us do. It remains in the center of the table, claiming its small territory, and I watch Kendra's eyes move to it and stay there for a moment before she lifts them again to Hearthmount, and the grief and the curiosity in her face have resolved into something harder and more focused, a scholar's look, the look of a woman her father raised to meet the unexpected with attention rather than alarm.

Hearthmount unrolls the parchment with both hands, flattens it against the table with a practiced efficiency, adjusts his posture to the reading position, and tilts the document slightly toward the lamplight. Around him, we settle. Skender leans back in his chair, arms crossed, his gaze moving between the document and the key. Rafael rests his hands flat on the table with a stillness that might be patience or might be something more deliberate than patience. Chestnutthiel watches Kendra. I watch everything, and the lamp throws our shadows long against the bookshelves, and the key sits in the center of the table, and Hearthmount draws a breath, and begins.

"'I, Petros Lorrimor, being of sound mind and body, do hereby...'"

His voice is measured, formal, a bureaucratic instrument applied to a personal document, and the words fill the study and find nowhere comfortable to settle.

His voice moves through the standard formulations of the will's early sections like water through a familiar channel — the naming of executor, the attestation of sound mind, the disposition of the estate — and I watch Kendra as she hears her father's name attached to these legal instruments, these last official mechanisms of a life, and I see the moment it becomes real to her again. It is a small moment, almost invisible: a single rapid blink, the slight parting of her lips as though she means to speak and thinks better of it, the way her hands on the table tighten briefly against one another before they smooth out again into stillness. The house and its contents pass to her. The books, the artifacts, the narrow pathways between shelves — all of it hers now in the cold irrevocable language of law. She absorbs this with the composure of a woman who has known it was coming and has prepared for it, and the preparation does not make it easier, only more private.

Hearthmount turns the parchment slightly, squinting at a line where the professor's handwriting overtakes the formal calligraphy of the document's prepared sections, and his voice shifts register almost imperceptibly, the practiced legal tone encountering something less amenable to formal delivery.

"'To those friends who have gathered at the reading of this will,'" he reads, and the room changes. Even Hearthmount seems to feel it — the slight stiffening of his shoulders, the way the next breath comes a fraction more deliberately than the last. He is no longer reading a standard document. He is reading a letter, and it has been entrusted to his voice without his consent.

"'You have come to Ravengro, I must assume, because you were given reason to trust me — because at some point in your lives I offered you something: a word, a kindness, an introduction, a fragment of knowledge that opened a door. I am not able to repay these debts in person. I ask instead that you honor them on my behalf by completing a task I can no longer complete myself.'"

The words land differently in the room for each of us. I feel the specific gravity of them — the memory of Lorrimor's office, his careful questions, his habit of teaching through indirection — and I wonder, not for the first time today, how many of the other threads in this room I am not seeing.

"'In a locked chest beneath my study floor,'" Hearthmount continues, his voice careful now, feeling its way along the professor's sentences, "'you will find a collection of texts that must not remain in Ravengro. They are dangerous, not by metaphor but in the most practical sense of that word. They are not to be opened, copied, or examined in transit. They are to be conveyed, with all reasonable discretion and without delay, to the University of Lepidstadt, where they will be received by colleagues who understand their nature. I will not burden you with that understanding here, in a document that may pass through other hands. Suffice it to say that these are not books for curious readers. They are cargo. Treat them accordingly.'"
Chestnutthiel watches Kendra. Not the key, not the document, not Hearthmount's practiced delivery just her. The way her hands tighten. The way she blinks once, too fast. The way she's hearing her father's voice in a room full of strangers.

His hand stays on his bell. Still not ringing.

When the key falls, his eyes flick to it for half a second small, iron, claiming its territory then back to Kendra.

He doesn't speak. Doesn't perform. Just watches. And waits.
The noise in his head can wait too.
 
Nightfall
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When Aerel says "Royal Daughter," Chestnutthiel goes very still.

His hand, already on the bell, tightens. Not ringing. Just... holding. Knuckles pale.

"The... Royal Daughter," he repeats, and the words come out wrong not his usual performance, not lordly, not elven trained. Just... empty. Like he's reading a name he should know but doesn't.

He stares at the folio. The serpent stares back.

"Yes. Obviously. The household." A pause. "I was just... admiring the craftsmanship."

He doesn't open it. He doesn't move. He just stands there, small and still, holding his bell, waiting for the noise to settle.
Nobody said anything. Narration was your perspective
 
Nightfall
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Chestnutthiel



Hearthmount's voice drones on about the month's delay, the payment in Lepidstadt, and the name Embreth Daramid, but I'm not listening. I'm focused on the folio in front of me, its serpent cover worn smooth by time. The serpent's eye, surprisingly deep, catches the lamplight, giving the illusion that it watches me. My hand finds the bell ribbon, warm from the day's wear. I hold it, much like one might hold a door handle in a dark corridor, unsure whether to open it. Hearthmount continues reading, and someone shifts impatiently in their chair—likely Skender. The lamp casts its amber glow across the shelves, and the key rests on the table. The room hums with its usual activities. Suddenly, Aerel's voice, low and precise, cuts through the air from my left: "Royal Daughter." I freeze, not with attention, but with a deeper stillness, a bodily recognition before the mind can process. My knuckles tighten around the bell, turning pale. I turn to see Aerel, his emerald eyes following Hearthmount's progress on the parchment, his expression remote and slightly sad, as always. His lips haven't moved. The room hasn't changed. Hearthmount's voice fills the space with talk of Lepidstadt and tomes, but no one has mentioned a Royal Daughter. I look back at the folio. The words "Royal Daughter" linger in my mind, unspoken yet heard. I say them aloud, but they come out wrong—flat and hollow, like a phrase from a forgotten language. The serpent's eye holds its lamplight, offering no answer. I realize I must be thinking of the household the folio relates to—some old family, a domestic lineage. The serpent is likely a heraldic detail, worn smooth by handling. The craftsmanship is notable, with the eye retaining its depth while the body has flattened, a technique I've seen before in objects meant to be held rather than read. "I was just admiring the craftsmanship," I say to the room, my words more correct this time, but they fall on deaf ears as Hearthmount continues reading, and no one was watching me.
 
Askētismós ἀρετή
Joined
Feb 23, 2025
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1,158
Chestnutthiel



Hearthmount's voice drones on about the month's delay, the payment in Lepidstadt, and the name Embreth Daramid, but I'm not listening. I'm focused on the folio in front of me, its serpent cover worn smooth by time. The serpent's eye, surprisingly deep, catches the lamplight, giving the illusion that it watches me. My hand finds the bell ribbon, warm from the day's wear. I hold it, much like one might hold a door handle in a dark corridor, unsure whether to open it. Hearthmount continues reading, and someone shifts impatiently in their chair—likely Skender. The lamp casts its amber glow across the shelves, and the key rests on the table. The room hums with its usual activities. Suddenly, Aerel's voice, low and precise, cuts through the air from my left: "Royal Daughter." I freeze, not with attention, but with a deeper stillness, a bodily recognition before the mind can process. My knuckles tighten around the bell, turning pale. I turn to see Aerel, his emerald eyes following Hearthmount's progress on the parchment, his expression remote and slightly sad, as always. His lips haven't moved. The room hasn't changed. Hearthmount's voice fills the space with talk of Lepidstadt and tomes, but no one has mentioned a Royal Daughter. I look back at the folio. The words "Royal Daughter" linger in my mind, unspoken yet heard. I say them aloud, but they come out wrong—flat and hollow, like a phrase from a forgotten language. The serpent's eye holds its lamplight, offering no answer. I realize I must be thinking of the household the folio relates to—some old family, a domestic lineage. The serpent is likely a heraldic detail, worn smooth by handling. The craftsmanship is notable, with the eye retaining its depth while the body has flattened, a technique I've seen before in objects meant to be held rather than read. "I was just admiring the craftsmanship," I say to the room, my words more correct this time, but they fall on deaf ears as Hearthmount continues reading, and no one was watching me.
Congrats on keeping the game alive
 
Nightfall
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"'In addition to this task,'" Hearthmount reads, and now his voice has acquired the slight forward lean of a man approaching a difficult point, "'I ask that you remain in Ravengro for a period of not less than one month from the date of this reading. My daughter is a capable and resilient woman, far more so than she knows. But the circumstances surrounding my death are not, I believe, as simple as they appear, and Ravengro is not, at present, as safe as it appears. I will not ask her to remain here alone. I ask you, in the name of whatever regard we have held for one another, to remain with her until you are satisfied that she is no longer at risk. This is the more personal of my two requests, and I am aware that it asks more than the other.'"

Kendra is very still. She is looking at the document in Hearthmount's hands with an expression I cannot fully parse — something between gratitude and the particular grief of being protected posthumously, of discovering that someone anticipated your vulnerability and planned for it in their last formal act. Her hands have tightened again. This time they do not smooth out.

"'For your service in both matters, I have made arrangements with Embreth Daramid of Lepidstadt, a woman of reliable integrity and considerable discretion, who will provide payment upon confirmed delivery of the texts. The sum is one hundred platinum coins for each of you.'"

The number settles into the room with a weight that is slightly different from the weight of everything else. Not because it is large — though it is large — but because it converts the abstract into the concrete, the personal appeal into a transaction, and transactions are the language of the world outside grief and obligation. I watch the number register in the room and I watch what it does, and what it does is this: it makes the thing real in a different way, in the way that compensation makes a thing real, in the way that only quantification can confirm to a certain kind of mind that yes, this is actually being asked of you, and yes, it is worth your while.

"'I close this document as I have tried to close all my affairs: with honesty and with gratitude, and with the hope that those who have known me will judge me more by what I attempted than by what I failed to complete.'"

Hearthmount stops. He draws a breath that sounds almost surprised to have been held. Then he rolls the parchment with both hands, the practiced motion of a man returning to the professional register that the document briefly evacuated him from, and the seal-end of it taps softly against the table as he aligns the edges.
 
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